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It’s too late

to be unwritten,
and I’m much too scrawled
to ever be erased.

Go ahead: prick and stipple
and ink me in:
I’ll never be naked again.

From here on out,
I wear the sun,
albeit blue.

- Mark Doty, from “My Tattoo” (via growing-orbits)
★ (185) May 13, 2012 / via teachingliteracy  
fer1972:

Classical Science
★ (3393) April 10, 2012 / via 2headedsnake  
★ (3084) April 9, 2012 / via whereisthecoool  
I want to see the thirst
inside the syllables
I want to touch the fire
in the sound:
I want to feel the darkness
of the cry. I want
words as rough
as virgin rocks.
- Pablo Neruda, from “Verb,” trans. T.M. Lauth Etiquetas (via proustitute)
★ (647) March 24, 2012 / via yama-bato  

amandaonwriting:

Three tips for coping with rejection:

  1. Laugh at your rejections.
  2. Learn from your rejections.
  3. Always have a new project underway, something that will give you hope no matter how many rejections come your way for the previous project.

You may take some consolation in knowing the rejection history of these writers and works:

Dune by Frank Herbert – 13 rejections

Harry Potter and the Philosopher’s Stone – 14 rejections

Auntie Mame by Patrick Dennis – 17 rejections

Jonathan Livingston Seagull – 18 rejections  

A Wrinkle in Time by Madeline L’Engle – 29 rejections 

Carrie by Stephen King – over 30 rejections 

Gone With the Wind by Margaret Mitchell – 38 rejections

A Time to Kill by John Grisham – 45 rejections 

Louis L’Amour, author of over 100 western novels – over 300 rejections before publishing his first book

John Creasy, author of 564 mystery novels – 743 rejections before publishing his first book

Ray Bradbury, author of over 100 science fiction novels and stories – around 800 rejections before selling his first story

The Tale of Peter Rabbit by Beatrix Potter – rejected so universally the author decided to self-publish the book

From rejection slip for George Orwell’s Animal Farm:

“It is impossible to sell animal stories in the U.S.A.”

From rejection slip for Norman MacLean’s A River Runs Through It:

“These stories have trees in them.”

From rejection slip for article sent to the San Francisco Examiner to Rudyard Kipling:

“I’m sorry, Mr. Kipling, but you just don’t know how to use the English language.”

From rejection slip for The Diary of Anne Frank:

“The girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the curiosity level.”

Rejection slip for Dr. Seuss’s And To Think That I Saw It on Mulberry Street:

“Too different from other juveniles on the market to warrant its selling.”

Rejection from a Chinese economic journal:

 “We have read your manuscript with boundless delight. If we were to publish your paper, it would be impossible for us to publish any work of lower standard. And as it is unthinkable that in the next thousand years we shall see its equal, we are, to our regret, compelled to return your divine composition, and to beg you a thousand times to overlook our short sight and timidity.”

sexpigeon:

The famous composer waits for no train. The famous composer will stare into the tunnel and consider his latest composition, and should that tunnel find itself occupied by a train then fine, so be it. And should that train pull up to the platform then yes, the famous composer will consider stepping onto it, perhaps even ride it to the dinner that he has promised to attend (perhaps he will discuss his latest composition over dinner—ah, but what good are mere words!). But no, the famous composer is not waiting for a train, per se. “Sometimes one simply finds themselves in transit,” explains the famous composer to himself, preparing for the dinner party questions he might be buffeted with. “Dah, dah, da’ da-da,” hums the famous composer to himself, mistaking for his own composition one of Schumann’s.
★ (14) January 30, 2012 / via sexpigeon  
did-you-kno:

Source
★ (5691) January 24, 2012 / via did-you-kno